Above that, the 80 and 100Hz settings work really well, making bx_stereomaker very good indeed at adding width and space to backbeats. With snares and claps, we had no flamming issues other than at the lowest Tone settings (20 and 40Hz). Here, the Mono Frequency filter comes in handy, particularly with higher Stereo Expansion settings. But in that case, you can still add width in the higher frequencies. Moving on to a kick drum and the lower Tone settings can introduce flamming to the sound if the transient is particularly sharp.
Switching to a mono synth bass, we found the effect worked best applied to the upper mid frequencies. bx_stereomaker works really well on this sort of sound, applying a lovely thickening effect when lower frequency Tone settings are used.Įven so, the width enhancement isn't predictable, and by switching through adjacent settings you can quickly move from lots of extra width to not much at all. Our first port of call for testing is an electric bass. "Our first port of call for testing is an electric bass and bx_stereomaker works really well on this sort of sound"Īn important thing to appreciate about bx_stereomaker is that it only works on mono signals, so even if you feed it a stereo sound, it'll mono the input signal by summing the left and right channels.
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